التكـــرار في شعـــــر محمــد سعيــــد جــــــرادة

Abstract

In this research, we examine the many points where Al-Jarādah aligns with Al-Būṣīrī and Shawqī in the use of repetition. This repetition did not occur by chance; rather, Al-Jarādah, like his predecessors, employed it deliberately to express his psychological state. It may also be said that repetition—since Al-Jarādah focused on this phenomenon in Al-Būṣīrī’s Burda and Shawqī’s Nahj al-Burda—was a source from which he drew extensively to achieve for himself what Al-Būṣierī and Shawqī had achieved in their respective poems. Repetition, in its various forms, generates a distinct type of rhythm required by the expression for artistic, psychologica، social, and religious purposes. Repetition in Al-Jarādah’s muʿāraḍa appears in three forms: (Letter repetition, lexical repetition, and structural repetition). The first two forms are prominent in Al-Jaradah’s muʿarada, whereas the three sections.